Marty and George are village artists, Marty is a basket weaver and George a potter. They have lived in Palestine and in addition to their love of art and of their craft, they are advocates for Palestinians struggling to survive.
Martha Monson Lowe incorporates rattan, seagrass, driftwood, and vine into the beautiful rattan baskets she crafts at her Decorah, IA studio. Interested in achieving a natural, timeless quality, the artist creates her work – weaving with wet materials – keeping ancient traditions in mind. She draws on time spent living in Africa and is especially interested in clay vessel forms. Many of her signature pieces include incorporation of driftwood as a handle to the basket. These ‘Chelan Baskets’ are named for the lake from which the driftwood is gathered.
Martha weaves with materials that are wetted for pliability. She uses plaiting, twill weave, three and four rod wale, plain and continuous weave and twining techniques. When finished, her baskets are dyed with pigments derived from walnuts she gathers near her home.
Martha has been making baskets since the late 1980s. Largely self-taught, she explains, “I have expanded my weaving abilities through teaching hundreds of basket weaving students through the years,” most recently at Luther College in Decorah.
George holds a BA in art from Luther College and an MFA in ceramics from Wichita State University. He was an instructor and lecturer at schools and workshops around the country before establishing his Decorah, IA studio in 1999.
Audio Archive
Lowe, Marty Monson and George
Recordings
Recent Additions
Vespers January 31, 1976 with Becky Lomax & Dave Caemmerer – Seeing Nature Through God
Vespers January 30, 1976 with John Rieke – Even Faith Is a Gift
Vespers January 27, 1976 with Brad Brainerd – Affirming the Will of God
Vespers January 26, 1976 with Eric Jorstad – I Will Lift Up My Eyes Unto the Mountains
Vespers January 25, 1976 with Carroll Hinderlie – What Christ is to Us, So We Are to All
Audio Archive Partner
Holden wishes to express appreciation to PLU, Pacific Lutheran University, for their support of the Holden Audio Archive Project.
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